To compare this with the first 100 shows that had contracts with weeks, please go here. There's a definition of what 'health weeks' are, and why they're important, included in this post.
57 shows were produced by theaters with contracts that include health weeks (or 57%) of the total.
Those shows had:
39 male directors, 31 female directors (56%, 44%)
64 male writers, 22 female writers (74%, 26%)
443 actors
271 male actors, 172 female actors (61%, 39%)
260 union actors, 183 non-union actors (59%, 41%)
168 male union actors, 93 female union actors (65%, 35%)
358 local actors, and 83 non-local actors (1 of those non-local actors was a non-union actor) (19% non-local, 81% local)
The companies and shows were:
ACT/The Scottsboro Boys, Maple and Vine, Elektra, The Normal Heart and Play/Endgame
Aurora/The Elaborate Entrance of Chad Deity, Salomania, and Anatol
Berkeley Playhouse/Lucky Duck
Berkeley Rep/Emotional Creatures, Red, Chinglish and Black and Blue Boys, Broken Men
CalShakes/Hamlet, Tempest, Spunk and Blithe Spirit
CenterREP/The Underpants, Lucky Stiff, and Rumors
CentralWorks/Education of a Rake and The Richard the First Trilogy
Cutting Ball/The Strindberg Chamber Plays
Diablo Theater Company/Legally Blonde
Golden Thread/ReOrient 2012 Series A
Magic/Bruja, The Other Place, Any Given Day
Marin Shakes/The Liar, King John, Midsummer Night's Dream
Marin Theater Co/Othello, God of Carnage, Circle Mirror Transformation and Topdog/Underdog
Playground/Best of Playground 2012
Retrodome/Becoming Britney
San Jose Rep/The Understudy, Death of the Novel and Bill W and Doctor Bob
SF Playhouse/Bloody Bloody Andrew Jackson, Reunion, A Behanding in Spokane and The Aliens
SF Shakes/Henry V
SF Mime Troupe/The Last Election
SJ Stage/Race and Bloody Bloody Andrew Jackson
Stanford Continuing Studies and Stanford Summer Theater/Miss Julie
TheatreFirst/Oleanna
TheatreWorks/Of Mice and Men, Wheelhouse, Upright Grand, Time Stands Still, and 33 Variations
Willows/Dolls House
Z Space & Word for Word/Stories from Sonoma Mountain
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